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Canadian Journal of Film Studies / Revue Canadienne d'etudes cinématographiques

ISSN: 0847-5911; eISSN: 2561-424X

The Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques is Canada's leading academic peer-reviewed film journal. CJFS / RCÉC has published bi-annually since its launch in 1990.

Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. Le CJFS / RCÉC est publié deux fois par an depuis son lancement en 1990.

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Vol. 32 Issue 1 , Spring | Printemps 2023 (pp. 1-172).

Vol. 31 Issue 2 , Fall | Automne 2022 (pp. 1-127).

Vol. 31 Issue 1 , Spring | Printemps 2022 (pp. 1-144).

Vol. 30 Issue 2 , Fall | Automne 2021 (pp. 1-124).

Vol. 30 Issue 1 , Spring | Printemps 2021 (pp. 1-171).

Vol. 29 Issue 2 , Fall | Automne 2020: Special Dossier on the World Cinema Turn (pp. 1-171).

Vol. 29 Issue 1 , Spring / Printemps 2020: Cinémas et médias autochtones dans les Amériques : récits, communautés et souverainetés (pp. 1-182).

Vol. 28 Issue 2 , Fall / automne 2019 (pp. 1-101).

Vol. 28 Issue 1 , Spring / printemps 2019 (pp. 1-138).

Vol. 27 Issue 2 , Fall / automne 2018 (pp. 1-117).

Vol. 27 Issue 1 , Spring / printemps 2018: Curating Expanded Cinema / Conservation du cinéma élargi (pp. 1-122).

Vol. 26 Issue 2 , Fall / automne 2017 (pp. 1-152).

Vol. 26 Issue 1 , Spring / printemps 2017 (pp. 1-94).

Vol. 25 Issue 2 , October 2016 (pp. 4-132).

Vol. 25 Issue 1 , March 2016 (pp. 4-174).

Vol. 24 Issue 2 , October 2015 (pp. 4-170).

Vol. 24 Issue 1 , March 2015 (pp. 2-104).

Vol. 23 Issue 2 , October 2014 (pp. 2-141).

Vol. 23 Issue 1 , March 2014 (pp. 2-138).

Vol. 22 Issue 2 , October 2013 (pp. 2-142).

Vol. 22 Issue 1 , March 2013 (pp. 2-159).

Vol. 21 Issue 2 , October 2012 (pp. 2-163).

Vol. 21 Issue 1 , March 2012 (pp. 2-145).

Vol. 20 Issue 2 , October 2011 (pp. 2-139).

Vol. 20 Issue 1 , March 2011 (pp. 2-147).

Vol. 19 Issue 2 , October 2010 (pp. 2-151).

Vol. 19 Issue 1 , March 2010 (pp. 2-102).

Vol. 18 Issue 2 , October 2009 (pp. 2-130).

Vol. 18 Issue 1 , March 2009 (pp. 2-117).

Vol. 17 Issue 2 , October 2008 (pp. 2-105).

Vol. 17 Issue 1 , March 2008 (pp. 2-109).

Vol. 16 Issue 2 , October 2007 (pp. 2-139).

Vol. 16 Issue 1 , March 2007 (pp. 2-109).

Vol. 15 Issue 2 , October 2006 (pp. 2-130).

Vol. 15 Issue 1 , March 2006 (pp. 2-106).

Vol. 14 Issue 2 , March 2005 (pp. 2-116).

Vol. 14 Issue 1 , March 2005 (pp. 2-104).

Vol. 13 Issue 2 , October 2004 (pp. 2-95).

Vol. 13 Issue 1 , March 2004 (pp. 2-99).

Vol. 12 Issue 2 , October 2003 (pp. 2-134).

Vol. 12 Issue 1 , March 2003 (pp. 2-113).

Vol. 11 Issue 2 , October 2002 (pp. 2-114).

Vol. 11 Issue 1 , March 2002 (pp. 2-113).

Vol. 10 Issue 2 , October 2001 (pp. 2-131).

Vol. 10 Issue 1 , March 2001 (pp. 2-127).

Vol. 9 Issue 2 , October 2000 (pp. 2-101).

Vol. 9 Issue 1 , March 2000 (pp. 3-136).

Vol. 8 Issue 2 , October 1999 (pp. 3-103).

Vol. 8 Issue 1 , March 1999 (pp. 3-122).

Vol. 7 Issue 2 , October 1998 (pp. 3-87).

Vol. 7 Issue 1 , March 1998 (pp. 3-86).

Vol. 6 Issue 2 , October 1997 (pp. 5-94).

Vol. 6 Issue 1 , October 1997 (pp. 3-131).

Vol. 5 Issue 2 , October 1996 (pp. 3-143).

Vol. 5 Issue 1 , March 1996 (pp. 3-90).

Vol. 4 Issue 2 , October 1995 (pp. 3-73).

Vol. 4 Issue 1 , March 1995 (pp. 3-85).

Vol. 3 Issue 2 , October 1994 (pp. 3-113).

Vol. 3 Issue 1 , March 1994 (pp. 3-93).

Vol. 2 Issue 2-3 , October 1993 (pp. 5-181).

Vol. 2 Issue 1 , March 1992 (pp. 1-88).

Vol. 1 Issue 2 , March 1991 (pp. 1-89).

Vol. 1 Issue 1 , March 1990 (pp. 1-92).

Members of the of the Film Studies Association of Canada (FSAC) receive a subscription to CJFS. To become a member, please visit www.filmstudies.ca.

Learn more about FSAC / ACÉC

Top Articles

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Volume: 32, Issue: 1, pp. 1-30

The Imagination at War: Visionary Poetics in Humphrey Jennings’s “I See London” and London Can Take It!

Scott Birdwise
Volume: 32, Issue: 1, pp. 106-121

The Two Sides of American Sniper: Reflections on Clint Eastwood’s “Doubleness” Ten Years Later

William Beard
Volume: 32, Issue: 1, pp. 61-86

Excavating Animal Planet’s Lost Tapes: The Unruly Images of a Posthuman Counter-Archive

Zoë Anne Laks

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Volume: 29, Issue: 1, pp. 27-51

Indigenous Cinema and Media in the Americas: Storytelling, Communities, and Sovereignties

André Dudemaine, Gabrielle Marcoux and Isabelle St-Amand
Volume: 27, Issue: 2, pp. 85-103

Strange Bedfellows: Tragedy and Pornography

Wayne Batten
Volume: 28, Issue: 1, pp. 44-65

Port of Shadows: Absence and Love

Vlad Dima
Volume: 29, Issue: 1, pp. 1-26

Cinémas et médias autochtones dans les Amériques : récits, communautés et souverainetés

André Dudemaine, Gabrielle Marcoux and Isabelle St-Amand
Volume: 30, Issue: 2, pp. 93-111

Feng Xiaogang’s Youth and the Nostalgic Imagination

Qijun Han

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Volume: 14, Issue: 1, pp. 69-83

Brakhage’s Tarkovsky and Tarkovsky’s Brakhage: Collectivity, Subjectivity, and the Dream of Cinema

Jerry White
Volume: 16, Issue: 1, pp. 80-97

The International Educational Cinematograph Institute, Reactionary Modernism, and The Formation of Film Studies

Zoë Dru1Ck
Volume: 20, Issue: 1, pp. 61-78

On Landscape in Narrative Cinema

Martin Lefebvre
Volume: 23, Issue: 1, pp. 74-89

Film Festivals, Bourdieu, and the Economization of Culture

Marijke de Valck
Volume: 24, Issue: 1, pp. 25-44

No Genre For Old Men? The Politics of Aging and the Male Action Hero

Nicola Evans

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